Red Landscape in Kent , 1965
45.7 x 55.9 cm (h x w)
Oil on canvas

Alfred Cohen Art Foundation
© Estate of Alfred Cohen 2020

The heavy black outlines, free brushwork and rich palette evoke the work of Chaïm Soutine and Georges Rouault, whom Cohen especially admired. They also suggest stained glass, as the setting sun makes the landscape glow. We can make out the horizon, the sun, farm buildings, fields and vegetation. But Cohen takes his painting further towards abstraction, making it difficult to distinguish field from path, crops from grass or trees, earth from stubble. Instead, he is concerned with how the forms, colours, and textures compose themselves.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board
Ben Uri Research Unit
The Victorian Punch , c. 1965
34.3 x 24.4 cm (h x w)
Pen and ink wash and gouache
Ben Uri Research Unit

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Confiscation , 2022
165 x 140 cm (h x w)
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30 x 40 cm (h x w)
Mixed media
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Rhea , 2017
35 x 32 cm (h x w)
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Burnt Histories , 2017
41 x 58 cm (h x w)
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The Application , 2021
140 x 139 cm (h x w)
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