Rainbow off Tréport , 1971-72
25.4 x 30.5 cm (h x w)
Oil on canvas board

Private Collection
© Estate of Alfred Cohen 2020

Set near Le Tréport on the Normandy coast, this is one of a number of rainbows – the most spectacular effect of light and water – in Cohen’s marine pictures, which invite speculation. Rainbows have been referred to as ‘God’s artwork’, the sign in Genesis of his covenant with mankind not to bring a second flood. Cohen was not religious; but recognised that rainbows, like sunsets, can arouse elation, especially in those with heightened aesthetic sensitivities. They can make us feel the world is favourable to us; a haven; somewhere gemütlich… They’re also important to an artist as a demonstration of how colour works, as the water droplets refract white light into its constituent wavelengths. This is not just a painting of a rainbow, but a painting about light and colour; about the optics that makes vision – and painting – possible.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

Four Pictures from the Commedia dell’Arte , 1964
55.8 x 40.6 cm (h x w)
Ink and wash and gouache
Ben Uri Research Unit
The Entrance of Punch , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Columbine No. 1 , 1962
76.2 x 55.9 cm (h x w)
Oil on paper
Ben Uri Research Unit
Polichinelle Rex , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit
The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit

More from Ben Uri Research Unit

Self-Portrait , 1904s
27 x 20.5 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Illustration to Tom’s Midnight Garden by Philippa Pearce
Watercolour on paper
Ben Uri Research Unit
Bishops Park with Two Figures , 1990s
59 x 48 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Welsh Village (in Memory of Heinz) , 1982
71 x 91 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Window in Tuscany
76 x 51 cm (h x w)
Oil on canvas
Ben Uri Research Unit