Rainbow off Tréport , 1971-72
25.4 x 30.5 cm (h x w)
Oil on canvas board

Private Collection
© Estate of Alfred Cohen 2020

Set near Le Tréport on the Normandy coast, this is one of a number of rainbows – the most spectacular effect of light and water – in Cohen’s marine pictures, which invite speculation. Rainbows have been referred to as ‘God’s artwork’, the sign in Genesis of his covenant with mankind not to bring a second flood. Cohen was not religious; but recognised that rainbows, like sunsets, can arouse elation, especially in those with heightened aesthetic sensitivities. They can make us feel the world is favourable to us; a haven; somewhere gemütlich… They’re also important to an artist as a demonstration of how colour works, as the water droplets refract white light into its constituent wavelengths. This is not just a painting of a rainbow, but a painting about light and colour; about the optics that makes vision – and painting – possible.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board
Ben Uri Research Unit
The Victorian Punch , c. 1965
34.3 x 24.4 cm (h x w)
Pen and ink wash and gouache
Ben Uri Research Unit

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165 x 140 cm (h x w)
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30 x 40 cm (h x w)
Mixed media
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Rhea , 2017
35 x 32 cm (h x w)
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41 x 58 cm (h x w)
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140 x 139 cm (h x w)
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