After the Hurricane, Bahamas , 1899
37.2 x 54.2 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper

Revered as America’s master of watercolor, Winslow Homer did not begin working in the medium until the mature age of thirty-seven. As a watercolorist, Homer adapted his practice to the diverse locales he visited. His sojourns in the tropics took him to the Bahamas, Bermuda, Cuba, and various locations in Florida. In each new environment, the self-taught artist pushed the flexible medium in new directions as he applied his increasingly sophisticated understanding of color and light to a new set of atmospheric conditions. This compelling watercolor was painted during Homer’s second trip to the Bahamas in the winter of 1898–99. Depicting a luckless man washed up on the beach, surrounded by fragments of his shattered craft, the work demonstrates the artist’s fascination with the rapid and dangerous weather changes of the region. Here sunlight glints through gradually thinning storm clouds. Homer employed thickly applied opaque red and yellow pigments for the seaweed tossed on the sand, creating a contrast with the thin washes and fluid brushstrokes that he used to render the receding waves.

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The Wanderlust Museum

Autres œuvres de Winslow Homer

The Lone Boat, North Woods Club, Adirondacks , 1892
38.5 x 54.4 x 1 cm (h x w x d)
Watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper
The Wanderlust Museum
Prout’s Neck, Evening , c. 1894
35.9 x 53.6 x 1 cm (h x w x d)
Watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed)
The Wanderlust Museum
The Return, Tynemouth (recto) Study (verso) , 1881
34.2 x 34.3 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed)
The Wanderlust Museum
Two Boys Watching Schooners , 1880
22.7 x 34 x 1 cm (h x w x d)
Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper
The Wanderlust Museum
Prout’s Neck, Breakers , 1883
38.1 x 54.6 x 1 cm (h x w x d)
Watercolor, with blotting and sanding, over charcoal, on moderately thick, moderately textured, ivory wove paper
The Wanderlust Museum

Plus de The Wanderlust Museum

Strafkanne
75 x 42 x 42 cm (h x w x d)
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Großer Herrenwillkomm
65 x 50 x 50 cm (h x w x d)
The Wanderlust Museum
Test Billboard
60 x 60 x 60 cm (h x w x d)
The Wanderlust Museum
Artwork Title
162 x 114 x 3 cm (h x w x d)
The Wanderlust Museum
Artwork Title
162 x 114 x 3 cm (h x w x d)
The Wanderlust Museum