After the Hurricane, Bahamas , 1899
37.2 x 54.2 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper

Revered as America’s master of watercolor, Winslow Homer did not begin working in the medium until the mature age of thirty-seven. As a watercolorist, Homer adapted his practice to the diverse locales he visited. His sojourns in the tropics took him to the Bahamas, Bermuda, Cuba, and various locations in Florida. In each new environment, the self-taught artist pushed the flexible medium in new directions as he applied his increasingly sophisticated understanding of color and light to a new set of atmospheric conditions. This compelling watercolor was painted during Homer’s second trip to the Bahamas in the winter of 1898–99. Depicting a luckless man washed up on the beach, surrounded by fragments of his shattered craft, the work demonstrates the artist’s fascination with the rapid and dangerous weather changes of the region. Here sunlight glints through gradually thinning storm clouds. Homer employed thickly applied opaque red and yellow pigments for the seaweed tossed on the sand, creating a contrast with the thin washes and fluid brushstrokes that he used to render the receding waves.

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The Wanderlust Museum

Plus de The Wanderlust Museum

The Gulf Stream , probably 1899, dated by the artist “1889”
28.8 x 50.9 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed)
The Wanderlust Museum
Stowing Sail , 1903
35.5 x 55.4 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper
The Wanderlust Museum
The Water Fan , 1898/99
37.4 x 53.4 x 1 cm (h x w x d)
Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper
The Wanderlust Museum
After the Hurricane, Bahamas , 1899
37.2 x 54.2 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper
The Wanderlust Museum
The Herring Net , 1885
76.5 x 122.9 x 3 cm (h x w x d)
# Oil on canvas
The Wanderlust Museum