Another Deco Indian , 20th century
180 x 135.3 x 3 cm (h x w x d)
525383

Fritz Scholder was initially reluctant to portray the Native American experience in the United States, but wound up revolutionizing the possibilities available to Native artists. He instilled a sense of ownership for the way Native Americans would and could be depicted, challenging romanticized notions of their lives and histories. He made them “real” in a world where they were stereotyped and relegated to documentary confines. Is the Native man portrayed here existing because of stereotypes or in spite of them' This is the evocative question Scholder asks us to consider.

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The Wanderlust Museum

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The Gulf Stream , probably 1899, dated by the artist “1889”
28.8 x 50.9 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed)
The Wanderlust Museum
Stowing Sail , 1903
35.5 x 55.4 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper
The Wanderlust Museum
The Water Fan , 1898/99
37.4 x 53.4 x 1 cm (h x w x d)
Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper
The Wanderlust Museum
After the Hurricane, Bahamas , 1899
37.2 x 54.2 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper
The Wanderlust Museum
The Herring Net , 1885
76.5 x 122.9 x 3 cm (h x w x d)
# Oil on canvas
The Wanderlust Museum