Still life with floral arrangement and black pottery , 1940
14.8 x 18.1 in (h x w)
Watercolor with graphite on paper; collection of Susan Elizabeth Gillin

Hatton often painted still life compositions using flowers from the garden that her mother tended at their home on 416 S. Grant Street in Old Town Fort Collins. The blue vase in the foreground may have been fired by Hatton herself, but the black-on-black pot behind it was made by Maximiliana “Ana” Martinez, a potter from San Ildefonso Pueblo who was the older sister of famed potter Maria Martinez. Hatton had a long-standing interest in Native American art: she taught Native American art (as well as Mesoamerican and Asian art) in her art history courses long before other art programs included non-Western art in their surveys, and in the 1950s, she invited Maria Martinez to Fort Collins as a visiting artist. The inscription on this watercolor indicates it was a gift to her great-niece, Susan Elizabeth Gillin, forty years after Hatton had painted it.

Plus de Gregory Allicar Museum of Art

Hirakawa bashi [Hirakawa Bridge] , 1929
16 x 11 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.77
Gregory Allicar Museum of Art
Grand Canyon , 1925
10.5 x 15.8 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.65
Gregory Allicar Museum of Art
Untitled (tea harvesting in Shizuoka) , 1929
13.3 x 16.5 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.93
Gregory Allicar Museum of Art
Amache, Japanese-American Concentration Camp, Colorado, July 29, 1994 / A-1-10-1 , 1994
10.3 x 12.8 in (h x w)
Chromogenic Print
Gregory Allicar Museum of Art
Dali's Inferno , 1978
29.5 x 21.4 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, gift of Joseph F. Lombardi/Franken Company, 1982.2.4
Gregory Allicar Museum of Art