Still life with floral arrangement and black pottery , 1940
14.8 x 18.1 in (h x w)
Watercolor with graphite on paper; collection of Susan Elizabeth Gillin

Hatton often painted still life compositions using flowers from the garden that her mother tended at their home on 416 S. Grant Street in Old Town Fort Collins. The blue vase in the foreground may have been fired by Hatton herself, but the black-on-black pot behind it was made by Maximiliana “Ana” Martinez, a potter from San Ildefonso Pueblo who was the older sister of famed potter Maria Martinez. Hatton had a long-standing interest in Native American art: she taught Native American art (as well as Mesoamerican and Asian art) in her art history courses long before other art programs included non-Western art in their surveys, and in the 1950s, she invited Maria Martinez to Fort Collins as a visiting artist. The inscription on this watercolor indicates it was a gift to her great-niece, Susan Elizabeth Gillin, forty years after Hatton had painted it.

Plus de Gregory Allicar Museum of Art

In the Garden , 1979
28.8 x 21.1 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, London Arts Group, 2006.146
Gregory Allicar Museum of Art
Soup Can , 1980
22.8 x 29.8 x 2.3 in (h x w x d)
Collage on paper with ink on paper; Gregory Allicar Museum of Art, CSU, gift of John and Kimiko Powers, 1991.1
Gregory Allicar Museum of Art
Boo Hoo , 2000
40.6 x 21.8 in (h x w)
Linoleum cut on paper; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.21
Gregory Allicar Museum of Art
Title unidentified , 1687
61.5 x 25.6 in (h x w)
Ink and watercolor on silk; Gregory Allicar Museum of Art, CSU, gift of Larry Hartford and Torleif Tandstad, 2016.1.139
Gregory Allicar Museum of Art
Pastoral or Arcadian State , 2006
23.8 x 39 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.8
Gregory Allicar Museum of Art